After long encouragement from friends, I finally started creating a story that had existed for many years. At first, with hesitation and fear, I shared the first two episodes on a public platform, and to my great surprise, over time they began to spread.
Choosing a cultural sphere that is less known here requires a great deal of background work, which I try to maintain and expand continuously. Recently I have received a lot of international help with this, materials, collections and sources, for which I am indescribably grateful.
Two years ago I also started learning the Māori language to gain a better and more authentic view of the characters that define the story.
As historical reenactors, the three of us like to strive for authenticity, and this is no different in my work. Many creators use defining cultural elements in their stories; I chose Māori culture. I took on a difficult task, entering almost completely unknown territory, but I grew very fond of it. I believe that introducing even a small corner of any people’s culture is a great thing. We ourselves are happy when we hear from a foreigner that they have heard about us; elsewhere it is the same. Let us get to know one another, even through a small part of culture, because that can only bring good.
In the comic, besides New Zealand, the main storyline takes place in another location that is not named. This is intentional: the location is fictional, because we did not want to attribute the negative events to any real country or create bad PR for it.
In the comic, Vio’s commissions are all based on real events, and I would like to thank those who trusted me by sharing their stories.
In most stories, heroes are rich or have superpowers and have nothing to lose, while the main villains are monsters by nature. But true heroes must be sought in real life, with all their flaws, and villains with all their emotions.